A brushed face that works the light, not against it
This finish uses coated aluminium with a brushed metallic grain showing through the image in selected areas, which gives the print a cooler, more tactile look. The matte surface keeps reflections down, so the artwork stays readable in bright rooms, near glass, or under office lighting where glare can spoil the viewing angle.
We produce the image through dye sublimation onto the coated panel, where heat transfers the artwork into the coating layer itself. That process gives clear detail, solid colour depth, and a hard wearing surface suited to daily use in homes, reception areas, studios and retail spaces. The brushed texture is especially useful for monochrome work, architectural imagery, machinery shots and portraits with a softer industrial mood.
Sizes, edges and mounting choices that fit the wall first time
Brushed matte panels can be ordered in standard and custom sizes, from small feature pieces right through to large wall displays. We also handle square, landscape and portrait formats, plus multi panel sets where one image needs to be split into a clean sequence across a wall. If your image is intended for a boardroom, lobby or gallery wall, the proportions should be checked before production so the crop holds the important detail.
Typical options include:
- Small gift sizes for shelves, narrow walls and office corners
- Medium panels for bedrooms, studies and reception areas
- Large format pieces for feature walls, gallery hangs and corporate interiors
- Single panel or multi panel layouts with matching spacing
- White, brushed, gloss or matte presentation depending on the image and room light
Floating hangers, aluminium subframes and standoff style fixings can be supplied where the wall and weight call for it. For heavier pieces, check the wall material first, especially on plasterboard, tiled walls or older brick where the fixing points need proper support.
Where this finish earns its place
The brushed matte panel suits work that needs a controlled shine and a more understated look. In homes, it works well for landscape photography, black and white portraits, family memories and travel images where the brushed grain adds character without overpowering the picture. In offices, it gives waiting areas and meeting rooms a cleaner, more technical feel, particularly where the interior has steel, glass, concrete or timber.
It is also a practical choice for photographers and artists preparing display pieces for South African conditions. In Johannesburg, Pretoria and Randburg, dry indoor air and strong daylight can make glossy work difficult to place. In coastal areas such as Cape Town, Durban and Gqeberha, the coated aluminium surface is useful where humidity and changing temperatures can affect ordinary paper based prints and framing materials.
- Reception walls and client areas
- Gallery style displays with low glare
- Retail interiors needing durable visual impact
- Home décor where a metal finish suits the room
- Corporate branding panels with a photographic edge
Artwork files, colour work and the finish details that matter
For the best result, send a high quality image file with enough resolution for the final panel size. As a guide, 150 to 300 dpi at print size is usually preferred, but the real check is how the file holds detail once cropped to the exact dimensions. If the image will be enlarged, the face, horizon line and key objects need careful placement so nothing important sits too close to the edge.
Colour preparation is handled for sublimation output, but the brushed surface changes how light reads the image, so mid tones and darker areas should be checked carefully. Fine text, pale skin tones and low contrast images need extra attention. If you want a brushed finish to show through more strongly, that can be planned into the file setup. If you want the image to stay closer to solid colour, a white base panel may be the better call.
- Confirm final size in millimetres or metres
- Confirm whether the panel is portrait, landscape or square
- Confirm brushed, matte, gloss or white presentation
- Confirm crop position for faces, logos and horizon lines
- Confirm if you want mounting holes, concealed hangers or a subframe
Fitting on site, handling and what the wall needs
These panels are light for their size, but they still need to be hung properly so the edges stay true and the panel sits flat. The fixing method depends on the wall surface, the panel dimensions and whether the piece is going into a home, office or public space. For larger panels, two point hanging or a frame mounted support gives better stability than a single hook, especially where people move past the wall often.
On tiled, painted brick or concrete walls, the fitter should confirm the anchor points before drilling. On plasterboard, a suitable plug and screw set or a reinforced support method may be needed. If the panel is part of a larger installation, leave enough clearance around nearby switches, window trims and aircon units so the image reads properly from normal viewing distance.
- Check the wall type before installation
- Mark the exact hanging height from floor level
- Allow space for frame lips, hangers or stand off fittings
- Keep the panel level to avoid a shadow line at the edge
- For multi panel sets, measure gaps carefully before drilling
Cleaning, packing and day to day care
A brushed matte panel is easy to look after if it is handled with a little care. Dust it with a soft, dry microfibre cloth and avoid abrasive pads or strong household cleaners that can mark the surface. If fingerprints appear, wipe gently with a slightly damp cloth and dry it straight after. Do not use solvents, scouring cream or rough paper towels, as they can dull the coating.
For transport or storage, keep the print wrapped flat and away from sharp edges. The corners should be protected because aluminium can mark if it bangs against another hard surface. In coastal towns and humid interiors, a stable indoor location is best, away from direct spray, steam and constant damp. For businesses with regular cleaning schedules, the panel can be wiped as part of normal dusting without special treatment.
What to confirm before we put the file through production
Please make sure you own the image or have the rights to use it. That includes photographs, artwork, logos and any supplied content that will appear on the finished panel. If the image is from a client shoot, a stock source, an artist collaboration or a brand campaign, the permission status should be clear before ordering. That saves time and avoids rework.
To keep the order accurate, confirm these details with the enquiry:
- Exact artwork size and orientation
- Brushed matte finish, or another finish if required
- Panel colour base, including white or brushed
- Mounting method and wall type
- Delivery area, whether Randburg, Johannesburg, Pretoria, Cape Town, Durban, Gqeberha, Midrand or Sandton
- Any crop, reprint matching or multi panel layout requirements
Our team in Randburg handles file checks, colour preparation, test panels, mounting options and packing for delivery across South Africa. When the brief is clear, the finished panel lands with the right tone, the right size and the right hardware for the wall it is meant to fill.
Key facts
| Print method | Dye sublimation onto coated aluminium panel |
|---|---|
| Finish options | Brushed matte, matte, gloss, white base or brushed base |
| Size range | Custom sizing available from small feature panels to large wall pieces |
| Image requirement | High resolution file with final crop confirmed before production |
| Mounting | Generic hanging hardware, floating options or subframe support |
| Use case | Homes, galleries, offices, retail interiors and corporate spaces |







